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Ross

Kim Wolhuter, cinematographer and wildlife filmmaker


In 2006 and while walking through the streets of Nakuru/Kenya, I came across a couple of stalls where they had a few wildlife dvds for sale. Such items in Melbourne are hard to come by and their prices are way too high so it was a good chance to buy a few. I knew the quality would not be the best especially when they were stored in plastic sleeves but still they were a bargain!
Out of those documentaries, the one that stood out was Tjololo, the story of a male Leopard.
I watched this documentary over and over and was very fascinated by the filmmaker and his lifestyle.
Kim doesn’t just visit Africa for documentary filming but he actually lives where he works which is the African Bush!

Around three to four months ago I came across wildcast.net and on the front page I saw the name Tjololo.....could this be??


Tjololo


Who is Kim Wolhuter?

I’m a South African born and raised MALE. (Just in case my name had you thinking). I’m a wildlife filmmaker.

Where are you based?

I’m currently based on Malilangwe Reserve in Zimbabwe.

When and how did you get involved in wildlife documentaries?

In 1988 I was approached by wildlife film producer, Richard Goss, about joining him as his assistant doing the lighting for him on a project on Spotted Hyaenas. At the time I had no interest in filmmaking and hardly any interest in photography. Following that project he gave me the camera and 10 rolls of film and said go for it on a new project on Brown Hyaenas. I ended up shooting most of that production and have been shooting ever since. I started my own production company, Mavela Media, in 1995.

How much time do you put into making a documentary?

Most of my films involve following an individual animal or a family. This means it takes about 18months of shooting in the field and then 3 to 4 months in post-production.



What are some of the places your filming has taken you?

I have only filmed in Southern Africa. Okavango Delta, Botswana. Skeleton Coast, Namib Desert, Namibia. Zambesi Valley, Zimbabwe. Mala Mala Game Reserve, South Africa. Malilangwe Reserve, Zimbabwe.

Do you have a favourite place for filming and if so where is it?

All these areas have something that is special. But I think Malilangwe has to be my favourite.

How did wildcast.net come about and what are your plans for the future?

Wildcast came about as a new avenue for distributing wildlife film content and with everything moving to broadband I wanted to keep abreast with it. Wildcast compliments my main productions that I’m working on all the time. I hope Wildcast will create the interest in my projects that will get people to want to watch the finished product. The future: much the same as right now. I always want to make high end wildlife films, especially if they’re going to keep me in the bush. For me it’s more about the lifestyle. Capturing events or shots of animals in action is that extra cherry on what is my hobby. It’s a great place to be where your work is your hobby.

While out filming, what is one animal experience you had which touched you in a way that others have not?

It’s has to be my acceptance by a wild clan of spotted hyaenas. I almost became a clan member where they were totally comfortable with me walking with them, being beside them as they fed in a frenzy on their kills. But the most extraordinary experience was Scratchy allowing and encouraging me to tickle her tummy and play with her like you play with your domestic dog. And her mother would lie a couple of meters away totally unconcerned.



As a filmmaker, what are some of the challenges nature has thrown your way?

Filming Tjololo we were hit with a cyclone that almost washed our camp away. But then trying to keep up with him in the waterlogged veld was tough going.
I’ve been wiped out by a freak wave while filming on the Namibian coast and ended up with a broken nose, a dislocated shoulder and torn ligaments in my ankle.

Can you tell us about the film projects you have planned for the future?

I’m currently working on a film on Wild Dogs. Unfortunately all pack members, except one, died last year from rabies. Whisky, the remaining dog, will hopefully find others in the area and den again this year.
Also working on a film on Lions. I want to take lions off the pedestal that man has put them as the King of Beasts, and just bring them down to reality.
A film on the elephants of Malilangwe. These elephant herds are truly amazing and have become totally accepting of me.
Currently starting a film on Ground Hornbills. The big predatory birds patrol on the ground. So they don’t fly off to kill their prey, they do it right in front of you. I’m busy habituating the birds so I can walk with them which allow me to get that much more of an intimate story.



Having the history about your father and grandfather being Rangers, where do you see your self in the future?

I left school and got a B.Sc Degree in Grassland Science. I was then involved in wildlife management. Much like my father and grandfather. And that was where I thought I would always be. But when I suddenly found this career in wildlife filmmaking, I changed course and expect to be doing this for the rest of my life.

While on the subject of fathers, can you tell us a little bit about your father and grandfather?

Harry Wolhuter, my grandfather, was the first game ranger in the Kruger National Park. He’s also a legend for having killed an adult male lion single-handedly with a knife after it had pulled him from his horse.
My father followed in his father’s footsteps and was the Senior Ranger in the Kruger National Park. He died at the young age of 44, from illness.

While watching Tjololo, one scene that stood out was that of your children playing at the riverbank and your daughter actually waved at an Elephant that was on the other side of the river.
How do your children feel about life in the bush?


My daughters love their life in the bush, but it’s really limited as they now have to attend school. And so only get into the bush in their holidays. We are currently in production on a Series for Animal Planet about my daughters and me in the bush. This will be ready for broadcast towards the end of this year.

Do you take your children out filming with you and if so, do you have hopes of them being involved in wildlife filming?

When they’re with me they go out filming with me all day or even all night. They have their mattresses and sleeping bags on the back of the vehicle and sleep whenever they wish. Otherwise they’re out there with me taking their own photographs.

While travelling through Africa and besides your wife, who is one person you met that inspired you the most?

The person who had the most impact on my wildlife career is Ted Reilly from Swaziland. I learnt from him what hard work in the bush was all about and learnt all other facets of life in the bush. Today Ted’s in charge of several parks in Swaziland and is the King’s advisor to all nature conservation issues in the country.

The photographic images you have at wildcast are outstanding. Just what photographic equipment do you use?

All Canon equipment.
Canon EOS 1Ds MkII
Canon 17-35mm lens
Canon 70-200mm lens
Canon 400mm lens



What is your interpretation of conservation photography?

Hmmmmm.........you tell me.

What’s it like making wildlife documentaries for the National Geographic while knowing that millions of people will be watching them?

It’s more like, I make wildlife documentaries to get millions of people to watch them so that they too can become involved in saving our planet. Hopefully my films are entertaining enough that it drives people to become committed.

When you are relaxing at home and you look out the window, what is it out there that keeps you going?

It’s the lifestyle. I would never give up my life in the bush. I can be out there all day, every day and never get enough of it. I just love it!


SHIT I NEVER THOUGTH I’D EVER GET THROUGH IT ALL.
Let me know if you need anything else. Hopefully not another 20 questions.
cheers
Kim

Samples of Kims films can be viewed at youtube
His photography is so typical of someone that loves Africa and can be viewed at either wildcat.net or flickr.com

You can read more about Kim and his Grandfather by visiting http://www.kimwolhuter.com/

When you subscribe to the RSS feed at wildcast, you receive a daily video accompamied by a few images which to me is a real delight to watch especially at the end of a hard day at work!

All images are used with permission by Kim.


The views expressed therein are solely those of the interviewee and do not necessarily reflect those of Safaritalk.
Ross
Kim was kind enough to share with us his CV and I thank him for it!!!!


CURRICULUM VITAE

HENRY (KIM) ROY WOLHUTER B.Sc S.A.S.C
B.Sc – Bachelor of Science.
S.A.S.C. – South African Society of Cinematographers.

Born 5th January 1959

Kim Wolhuter spent his early years growing up in the Kruger National Park where his father (Henry Charles Wolhuter) was the head ranger. His grandfather (Harry Wolhuter) was the very first game ranger in the Kruger National Park.

1976 Matricluated at St.Johns College, Johannesburg.
1982 Bachelor of Science Degree in Agriculture at Natal University, Pietermaritzburg.
1983-1986 Manager of the game farm Santhata, in Botswana.
1986-1988 Warden of Mlawula Nature Reserve in Swaziland.
1988 to present Wildlife filmmaking and photography.
1988-1995 Employed by Nature Vision as a Cinematographer.
Richard Goss, Director.
1995 to present Wolhuter Media, Mala Mala Game Reserve.
2005 to present Wolhuter Media, Malilangwe Wildlife Reserve, Zimbabwe.
1997 Honoured with membership of the South African Society of Cinematographers
(S.A.S.C.)

Filmmaking Career – 1988 to present
In Production
2005-2008 Safari Sisters – Director, Executive Producer. Animal Planet.
2006-Present Wild Dogs – Director, Producer, Cinematographer.
Lions – Director, Producer, Cinematographer
Elephants – Director, Producer, Cinematographer

Previous Productions
2005-2006 Hyaena Queen – Director, Producer, Cinematographer.
2002-2004 Predators at War – Director, Producer, Cinematographer, Talent. National Geographic Channel.
2000-2001 Stalking Leopards – Director, Producer, Cinematographer. National Geographic Explorer.
2000-2001 Living with Leopards – Producer. National Geographic Explorer
2000 Africa’s Deadly Dozen - Cinematographer. Tigress Productions.
1998-1999 Impala – Basic Instincts - (a/k/a/ Fast Food, Discovery, USA broadcast)
Director/cinematographer. Survival Anglia production, UK.
1998 Giraffe Special - Cinematographer. BBC production.
1997 Fleeting Shadows and Flying Hooves (antelope) - Cinematographer.
Zebra Film Productions, UK.
1996-1997 Black-Jack, High Stakes (black-backed jackal) – Director, Cinematographer.
Survival Anglia production, UK.
1996 Holly Hunter and Cheetah - Natural history cinematographer. Tigress Productions, UK.
1996 Crocodile Special - Cameraman. BBC production.
1995 Manyeleti, Place of Stars (Manyeleti Game Reserve, South Africa)
Cameraman. Nature Conservation Films, Netherlands.
1995 Dawn to Dusk (Series with presenter Jonathan Scott)
Natural history cameraman. BBC production.
1993 Boy Shaman (feature film) -Cameraman (35mm shoot). John Downer Productions, UK.
1993-1994 Beauty and the Beasts (leopard and warthog) – Cameraman.
National Geographic production. Emmy Nomination.
1992 Wild Horses of the Namib - Cameraman. National Geographic production.
1991-1992 Strandwolf, Survivors of the Skeleton Coast (brown hyaenas)
Cameraman. BBC and National Geographic co-production.
1989 Trials of Life - The Series - Assistant cameraman. BBC production.
1988 –1990 The Sisterhood, (spotted hyaenas) -Assistant cameraman.
BBC production.

Photographic Publications

2001 National Geographic Magazine – Tracking the Leopard. 14-page cover story.
2001 World Magazine – published by National Geographic Society. 4-page highlight of Stalking Leopards production.

Awards
2007
Hyenas at War, nominated for an Emmy Award.
2006
Predators at War, Two Emmy Awards – Most Outstanding Science and Natural History Progam; Animation Award

Hyena Queen, The Chris Statuette, 54th Annual Columbus International Film and Video Festival

2003
Stalking Leopards, Emmy Award and a second Emmy nomination
South African Society of Cinematographers:
Visible Spectrum Award for Cinematography in the Wildlife Category (Stalking
Leopards)
Gold Certificate for Cinematography in the Wildlife Category (Impala – Basic
Instincts)
Stalking Leopards was nominated at the 2003 Japan Wildlife Festival.
AGFA Wildlife & Environment Photographic Awards: 1st Place, Portrait Category; one in
Top 50; another Highly Commended.

2002
Finalist Award: Best TV Program Category, International Wildlife Film Festival, USA
(Stalking Leopards)
Merit Award: Cinematography, International Wildlife Film Festival, USA (Stalking
Leopards)
AGFA Wildlife & Environment Photographic Awards: 3rd Place, Mammals Category;
2 Photographs in the Top 50; another Highly Commended.
2001
Chris Awards: Silver Chris Award (Stalking Leopards) for scientific content
1999
Toyama Ptarmigan Award, Japan Wildlife Festival (Beauty and the Beasts)
Emmy Nomination (Beauty and the Beasts)
BG plc/BBC Wildlife Photographer of the Year Competition:
Highly Commended Photograph; 1st Place, Dusk to Dawn Category
AGFA Wildlife & Environment Photographic Awards: 2nd Place, Mammals Category; & a
Top 50
1998
AGFA Wildlife & Environment Photographic Awards: Overall Winner -
AGFA Wildlife Photographer of the Year
BG plc/BBC Wildlife Photographer of the Year Competition: Highly Commended
Photograph
1997
South African Society of Cinematographers: Visible Spectrum Award for
Cinematography in the Wildlife Category (Beauty and the Beasts)
madaboutcheetah
Wow! That's tons of footage - going by that list!!! Must have been wonderful experiences, all of them!
dikdik
I have just been watching predators at war.

This guy is unbelievable. Some of his footage is the best I have seen.
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